La Ley de los Mosaicos con la Sinf\u00f3nica de Oreg\u00f3n re\u00fane cuatro siglos de m\u00fasica y analiza el modo en que los artistas, al relacionarse a trav\u00e9s del tiempo, nos ayudan a comprendernos mejor a nosotros mismos y al mundo. Enmarcando el programa, una “sinfon\u00eda cl\u00e1sica”, cosida a partir de la obra de cuatro compositores del pasado: C.P.E. Bach, Ludwig van Beethoven, W.A. Mozart y Louise Farrenc. Intercaladas entre cada movimiento hay cuatro piezas de algunos de los compositores m\u00e1s imaginativos de nuestro tiempo que exploran un collage musical de diversas maneras, extrayendo recuerdos, humor disparatado y nostalgia fantasmal.<\/p>\n
Ted HEARNE: “Pal\u00edndromo para Andrew Norman” de La ley de los mosaicos
\nC.P.E. BACH: Primer movimiento de la Sinfon\u00eda en re mayor, Wq. 183\/1
\nJessie MONTGOMERY: Discos de A Vanishing City
\nBEETHOVEN: Finale de la Sinfon\u00eda n.\u00ba 7 en la mayor
\nLIGETI: Po\u00e8me symphonique (“Poema sinf\u00f3nico”)
\nMOZART: Segundo movimiento de la Sinfon\u00eda n.\u00ba 39 en mi bemol mayor
\nAndrew NORMAN: Pruebe
\nFARRENC: Final de la Sinfon\u00eda n.\u00ba 2 en re mayor <\/p>\n
Deanna Tham, directora de
\nla Sinf\u00f3nica
\nde Oreg\u00f3n Gabriel Kahane, curador y anfitri\u00f3n<\/p>\n","protected":false},"excerpt":{"rendered":"
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