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TZID:America/Los_Angeles
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DTSTART;TZID=America/Los_Angeles:20230114T193000
DTEND;TZID=America/Los_Angeles:20230114T213000
DTSTAMP:20230112T203106Z
CREATED:20221111T233225Z
LAST-MODIFIED:20230112T203106Z
UID:7072-1673724600-1673731800@thereser.org
SUMMARY:My Words Are My Sword
DESCRIPTION:My Words Are My Sword \nMusic Drama for actor and orchestra…a fusion of hip-hop\, jazz\, and classical styles \nText by Darius Wallace \nMusic Composed by Jasnam Daya Singh \nThe PCO\, conducted by its Music Director Yaacov Bergman\, will present a concert at the Patricia Reser Center for the Arts on January 14\, 2023\, the weekend of the MLK holiday that celebrates black history and culture. \n“My Words Are My Sword”\,  a music drama written and performed by black poet and actor Darius Wallace\, explores blackness through story\, monologue\, poetry\, and song.  Composed over two years in a collaboration between Darius Wallace and local\, Brazilian-born\, pianist and composer Jasnam Daya Singh\, and Music Director Yaacov Bergman\,  the work incorporates text from Martin Luther King\, Jr.’s speeches\, a re-enactment of Frederick Douglass’ childhood\, writings by Malcolm X and Wallace himself\, and poetry by Langston Hughes and Richard Wright. It is a fusion of hip-hop\, jazz\, and classical styles. \nThe PCO premiered this compelling work in April 2022 in NE Portland where several audience members were so inspired that they requested the performance be repeated. \nThe concert opens with the Flute Concerto No.2 in D Major K.314 by Mozart featuring Adam Eccleston\, a local\, phenomenally brilliant\, young black flutist from Portland\, Oregon. \nThe photo of Darius Wallace was taken by Joe Cantrell. \nRuntime:\n1st set 50 min\nIntermission 20 min\n2nd set 45 min
URL:https://thereser.org/event/my-words-are-my-sword/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2022/11/My-Words-Are-My-Sword-v2_2280x1536.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230119T180000
DTEND;TZID=America/Los_Angeles:20230119T200000
DTSTAMP:20230112T203748Z
CREATED:20221014T222251Z
LAST-MODIFIED:20230112T203748Z
UID:6786-1674151200-1674158400@thereser.org
SUMMARY:Kenny Broberg
DESCRIPTION:FRANCK Prelude\, Fugue\, and Variation in B Minor\, op. 18\, FWV 30\nCHOPIN Ballade No. 4 in F Minor\, op. 52\nMEDTNER Sonata No. 7\, op. 25\, The Night Wind \nHailed as a pianist capable of “pulling a palette of moods from every register” (Indianapolis Star)\, Kenny Broberg brings his inventive\, intelligent\, and intense performance style to The Reser stage. \nBoth rapturous and melancholic\, Franck’s Prelude\, Fugue\, and Variation in B Minor offers listeners an emotional sweep that belies the work’s formal title\, while Chopin’s Ballade No. 4 in F Minor evokes the candlelit salons of 19th-century Paris. Closing the program is Nikolai Medtner’s “Night Wind” Sonata — a relentless frenzy of menacing\, nightmarish music that tests the performer’s physical and expressive limits. \nRuntime: 70 min no intermission \nRead our Covid Guidelines for attending our concerts/events.\nRead Program Notes \n 
URL:https://thereser.org/event/kenny-broberg/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2022/10/Portland-Piano-International_web-hero.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230125T193000
DTEND;TZID=America/Los_Angeles:20230125T213000
DTSTAMP:20230119T221548Z
CREATED:20220908T210637Z
LAST-MODIFIED:20230119T221548Z
UID:6381-1674675000-1674682200@thereser.org
SUMMARY:Blind Boys of Alabama
DESCRIPTION:The Blind Boys of Alabama have the rare distinction of being recognized around the world as both living legends and modern-day innovators. They are not just gospel singers borrowing from old traditions; the group helped to define those traditions in 20th century and almost single-handedly created a new gospel sound for the 21st. Since the original members first sang together as kids at the Alabama Institute for the Negro Blind in the late 1930s (including Jimmy Carter\, who leads the group today)\, the band has persevered through seven decades to become one of the most recognized and decorated roots music groups in the world. \nTouring throughout the South during the Jim Crow era of the 1940s and 1950s\, the Blind Boys flourished thanks to their unique sound\, which blended the close harmonies of early jubilee gospel with the more fervent improvisations of hard gospel. In the early 1960s\, the band sang at benefits for Dr. Martin Luther King\, Jr.\, and were a part of the soundtrack to the Civil Rights movement. But as the years passed\, gospel fans started to drift away and follow the many singers who had originated in the church but were now recording secular popular music. And the Blind Boys\, who refused many offers to ‘cross over’ to secular music\, also saw their audiences dwindle. However\, the Blind Boys persevered and their time came again\, starting in the 1980s with their starring role in the Obie Award-winning musical “The Gospel at Colonus\,” which began a new chapter in their incredible history. It’s almost unbelievable that a group of blind\, African-American singers\, who started out touring during a time of whites-only bathrooms\, restaurants and hotels\, went on to win five Grammy® Awards\, a Lifetime Achievement Grammy\, be inducted into the Gospel Music Hall of Fame\, and to perform at the White House for three different presidents. \nFew would have expected them to still be going strong—stronger than ever\, even—so many years after they first joined voices\, but they’ve proved as productive and as musically ambitious in recent years as they did in the beginning. In 2001\, they released Spirit of the Century on Peter Gabriel’s Real World label\, mixing traditional church tunes with songs by Tom Waits and the Rolling Stones\, and won the first of their Grammy Awards. The next year they backed Gabriel on his album Up and joined him on a world tour\, although a bigger break may have come when David Simon chose their cover of Waits’ ‘Way Down in the Hole’ as the theme song for the first season of HBO’s acclaimed series The Wire. Subsequent Grammy-winning albums have found them working with the likes of Ben Harper\, Robert Randolph\, Aaron Neville\, Mavis Staples\, The Preservation Hall Jazz Band\, Allen Toussaint and Willie Nelson. \nIn 2013 the band worked with Justin Vernon (of Bon Iver) to release I’ll Find A Way\, a powerful collection of gospel and spiritual songs new and old\, featuring some of the Blind Boys’ most fervent vocals as well as contributions by a new generation of Blind Boys fans\, including Merrill Garbus of tUnE-yArDs\, Patty Griffin\, and Justin Vernon himself. In 2014 the Blind Boys released Talkin’ Christmas!\, a collaboration with Taj Mahal\, that continued the band’s streak of creating original and interesting work. It includes new versions of Christmas standards\, covers of hidden gospel gems\, and seven brand-new holiday songs featuring Money Mark on keyboards\, Taj Mahal on vocals and songwriting collaborations with Stax Records soul legend William Bell. \nIn 2017 the Blind Boys released Almost Home on the band’s own BBOA Records label\, in collaboration with Amazon Music. The 12-song collection serves as a fitting capstone to a seven-decade career that has both defined the sound of the American South and pushed it forward from the 20th century and into the 21st. Almost Home was recorded over four different sessions with four different GRAMMY-winning producers in four different cities. John Leventhal recorded the Blind Boys and their band in New York City\, Vance Powell in Nashville\, Chris Goldsmith in Seattle\, and Los Lobos’ Steve Berlin at FAME Studios in Muscle Shoals. The album is composed primarily of original songs which focus on the remarkable journey of the band’s two surviving original members at the time\, long-time leader Clarence Fountain (who has since passed away)\, and current leader Jimmy Carter. It features songwriting contributions from an exceptional collection of artists including Valerie June\, North Mississippi Allstars\, Phil Cook\, John Leventhal\, Marc Cohn\, Ruthie Foster\, and more. Almost Home succeeds in looking backwards\, while still sounding as vital and modern as ever. \n2019 brought them back together with Marc Cohn and producer John Leventhal for Work To Do\, a unique collection that combines the songwriting talents of Marc Cohn with the soul-stirring harmonies of the Blind Boys which falls on the heels of more than a year of live collaborative dates. Work To Do is comprised of three studio tracks by Cohn and the Blind Boys (two originals\, including the title track\, and a version of the gospel standard “Walk In Jerusalem”) plus seven intimate live performances recorded at the Katharine Hepburn Cultural Arts Center in Old Saybrook\, CT\, during a taping of the PBS series The Kate. Original plans were to release an EP containing the studio tracks\, but the excitement and magic captured during the taping inspired the decision to create this unique hybrid album. \nSince they released their debut single\, “I Can See Everybody’s Mother But Mine\,” on the iconic Veejay label in 1948\, the Blind Boys have been hailed as “gospel titans” by Rolling Stone and have collaborated with everyone from Stevie Wonder to Prince and Lou Reed\, and performed on some of the world’s most prestigious stages. The New York Times said that they “came to epitomize what is known as jubilee singing\, a livelier breed of gospel music\,” adding that “they made it zestier still by adding jazz and blues idioms and turning up the volume\, creating a sound…like the rock ‘n’ roll that grew out of it.” The New Yorker simply called them “legendary.” \nThe Blind Boys’ live shows are roof-raising musical events that appeal to audiences of all cultures\, as evidenced by an international itinerary that has taken them to virtually every continent. The Blind Boys of Alabama have attained the highest levels of achievement in a career that spans over 75 years and shows no signs of diminishing. \nRuntime: 90 min. No intermission.
URL:https://thereser.org/event/blind-boys-of-alabama/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/09/Blind-Boys-1-photo-by-Jim-Herrington--scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230128T193000
DTEND;TZID=America/Los_Angeles:20230128T213000
DTSTAMP:20230124T192808Z
CREATED:20221116T000032Z
LAST-MODIFIED:20230124T192808Z
UID:7087-1674934200-1674941400@thereser.org
SUMMARY:The PCSO Spectacular at the Reser
DESCRIPTION:THE PCSO SPECTACULAR AT THE RESER\nSteven Byess\, conductor\nAlexander Markov\, violin\nJimmie Herrod\, special guest vocalist \nA knockout concert event featuring virtuoso soloist Alexander Markov and Special Guest Jimmie Herrod – celebrating our 40th Anniversary and a new chapter for one of the best kept secrets of the Pacific Northwest. \nPortland Columbia Symphony celebrates its 40th Anniversary with a knockout concert event that shows why this dynamic orchestra is so special. With musical selections ranging from Vivaldi to Massenet\, from pure classical to rock-symphonic fusion\, and featuring acclaimed violin virtuoso Alexander Markov\, the PCSO Spectacular at the Reser is no ordinary concert – it is an experience! \nMusic Director Steven Byess has put together an evening that showcases an adventurous and musically thrilling perspective on the modern orchestra: respectful of tradition\, but risk-taking and unafraid to test boundaries ordinary orchestras avoid. Exquisite musicianship married to a joyful and exuberant love of performing are embodied in guest soloist Alexander Markov\, who also provides two works to the concert\, both scored for full orchestra and his custom-made six-string gold plated electric violin. With superstar vocalist Jimmie Herrod – know for his appearance with Pink Martini and on TV’s America’s Got Talent – adding in even more… \nHighlights include: \n— Adventures on Earth from E.T. the Extraterrestrial: A real orchestral showpiece by John Williams \n— Meditation from Thaïs one of the most famous and moving pieces for violin and orchestra by Jules Massenet. \n— Caesar: Rock and Roll\, Baby! An original work by Alexander Markov scored for his custom-made\, six-string\, gold-plated electric violin and full orchestra. \n— Capriccio Espagnol: a dynamic and exotic musical depiction of Spain by Russian composer Nicolai Rimsky-Korsakov that highlights the virtuosic principal players of our orchestra and features the entire PCSO! \nRuntime: 100 min. with intermission. \nPortland Chamber Symphony Orchestra COVID-19 Policy
URL:https://thereser.org/event/the-pcso-spectacular-at-the-reser/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/11/PSCO-Spectacular_web-hero.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230201T193000
DTEND;TZID=America/Los_Angeles:20230201T210000
DTSTAMP:20230126T222101Z
CREATED:20220831T035930Z
LAST-MODIFIED:20230126T222101Z
UID:6256-1675279800-1675285200@thereser.org
SUMMARY:Bang on a Can All-Stars
DESCRIPTION:Freely crossing the boundaries between classical\, jazz\, rock\, world\, and experimental music\, this eclectic six-member ensemble has consistently forged a distinct category-defying identity\, taking music into uncharted territories for the last 30+ years. \n“… combining the power and punch of a rock band with the precision and clarity of a chamber ensemble.” The New York Times \nPROGRAM \n“Can Dance” \nWorking closely with The Joyce Theater in New York\, Bang on a Can’s newest show is a seamless integration of cutting edge music performed live alongside newly commissioned dance pieces presented on a larger-than-life screen. Featured composers include luminaries such as Michael Gordon\, David Lang\, and Julia Wolfe\, collaborating with choreographers such as Annie B. Parson\, Andrea Miller\, and Brian Brooks. \nRuntime: 90 min without intermission.
URL:https://thereser.org/event/bang-on-a-can-all-stars/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/08/boac_allstarsCserling_2021_BG_9847_01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230202T193000
DTEND;TZID=America/Los_Angeles:20230202T210000
DTSTAMP:20230126T222518Z
CREATED:20220531T165557Z
LAST-MODIFIED:20230126T222518Z
UID:5342-1675366200-1675371600@thereser.org
SUMMARY:International Guitar Night
DESCRIPTION:International Guitar Night is the world’s premier touring guitar festival\, each show bringing together the most exciting and innovative acoustic guitarists to exchange musical ideas in a public concert setting. For each tour\, IGN founder Brian Gore brings together a new cast of guitar luminaries for special evenings of solos\, duets\, and quartets that highlight the talent and diversity within the world of acoustic guitar. Brian founded IGN in 1995 as a forum for the world’s finest guitarists/composers to play their latest original songs and share musical ideas and talent with their peers. \nThe 23rd Anniversary North American Tour of International Guitar Night features Stephanie Jones (Classical)\, Jocelyn Gould (Jazz)\, Olli Soikelli (Gypsy Jazz)\, and Jesus Guererro (Flamenco). \n…”one of the most important showcases for contemporary finger stylists.” SF Chronicle \nRuntime: \n1st set 40 min\nIntermission 20 min\n2nd set 40 Min \nSponsored by TriMet.
URL:https://thereser.org/event/international-guitar-night/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/05/Steph-Invierno-Invierno.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230203T180000
DTEND;TZID=America/Los_Angeles:20230203T210000
DTSTAMP:20230124T011629Z
CREATED:20221220T203246Z
LAST-MODIFIED:20230124T011629Z
UID:7456-1675447200-1675458000@thereser.org
SUMMARY:a community is a small town - Opening Reception & First Friday
DESCRIPTION:Come celebrate the creativity of our newest exhibition\, a community is a small town. Artists and their supportive studios will be in attendance to talk about the work and share small works of art for sale at our first Pop-Up shop. In addition\, PHAME\, a Portland-based school that empowers adults with developmental disabilities through the arts\, will perform a short concert at 6:30 pm in The Lab on Level 2.
URL:https://thereser.org/event/a-community-is-a-small-town-opening-reception/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2023/01/abstractblue_webhero-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230203T193000
DTEND;TZID=America/Los_Angeles:20230203T213000
DTSTAMP:20230202T231023Z
CREATED:20220531T204247Z
LAST-MODIFIED:20230202T231023Z
UID:5360-1675452600-1675459800@thereser.org
SUMMARY:EDNA VAZQUEZ
DESCRIPTION:Edna Vazquez is a fearless artist\, and songwriter whose powerful voice and musical talent transcend the boundaries of language with songs deeply rooted in universal human emotion. She has traveled far and wide spreading her message of light\, love\, and cultural healing. \nFor this special evening\, Edna will be performing a solo show\, not to be missed in The Reser’s intimate theater and with stunning acoustics. \nEdna has been a regular guest singer with Pink Martini since 2017\, touring the world with the band\, and performing at major venues such as the Hollywood Bowl and Royal Albert Hall. In June 2022\, she made her solo debut with the Los Angeles Philharmonic under the baton of Gustavo Dudamel. She recently performed with Pink Martini during the opening weekend of The Reser’s Inaugural Season\, and she will make her solo debut at The Reser with this performance.Born in Colima\, Mexico\, and growing up in Jalisco\, Edna is now based in Portland\, Oregon. In 2019\, Pink Martini released a 5-song EP (Bésame Mucho) with Edna on lead vocals featuring both her own original music (“Sola soy”) and classics such as the title track and “Quizás\, quizás\, quizás.” \nSponsored by First Tech Federal Credit Union. \n \n 
URL:https://thereser.org/event/edna-vazquez/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/05/Edna-La-Catrina.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230204T190000
DTEND;TZID=America/Los_Angeles:20230204T210000
DTSTAMP:20230126T224431Z
CREATED:20221116T175648Z
LAST-MODIFIED:20230126T224431Z
UID:7147-1675537200-1675544400@thereser.org
SUMMARY:An Evening with Author Dawnie Walton
DESCRIPTION:Beaverton City Library Presents: An Evening with Author Dawnie Walton \nThis event is FREE and open to the public. Reserved tickets are required. \nWhat if all of Beaverton read the same book? \nPlease join us for the culminating event of Beaverton City Library’s One Book\, One Beaverton\, a visit with Dawnie Walton\, author of The Final Revival of Opal & Nev. Walton’s novel is an electrifying story about the meteoric rise of an iconic interracial rock duo in the 1970s\, their sensational breakup\, and the dark secrets unearthed when they try to reunite decades later for one last tour. \nWe invite you to stay after the author talk to get your book signed and enjoy some light refreshments. \nDAWNIE WALTON is a writer\, editor\, and author of the novel The Final Revival of Opal & Nev\, winner of the Aspen Words Literary Prize\, longlisted for the Women’s Prize for Fiction\, and named one of the best books of 2021 by The Washington Post\, NPR\, Esquire\, and former U.S. President Barack Obama\, among others. Her work explores identity\, place\, and the influence of pop culture. Formerly an editor at Essence and Entertainment Weekly\, she has received fellowships in fiction from MacDowell and Tin House\, and an MFA from the Iowa Writers’ Workshop. Her writing has appeared in Oxford American\, Bon Appetit\, NPR\, Lithub\, and Black Ballad. Born and raised in Jacksonville\, Florida\, she lives in Brooklyn with her husband. \nReviews of The Final Revival of Opal & Nev. \n“Feels truer and more mesmerizing than some true stories. It’s a packed time capsule that doubles as a stick of dynamite.” —THE NEW YORK TIMES BOOK REVIEW \n“The book bursts with fourth-wall breaks and clear-eyed takes on race\, sex\, and creativity that Walton unfurls in urgent\, endlessly readable style.” —ENTERTAINMENT WEEKLY \n“A dazzling triumph…it is refreshing to read a book that centers a Black woman [Opal] who has this many layers\, a book that seeks neither to save her from nor punish her for the flaws that make her human…an unforgettable character.”—WASHINGTON POST \nRuntime: 75 min no intermission
URL:https://thereser.org/event/an-evening-with-author-dawnie-walton/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/11/dawnie_walton_1920x1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230205T150000
DTEND;TZID=America/Los_Angeles:20230205T170000
DTSTAMP:20230204T183130Z
CREATED:20220531T222551Z
LAST-MODIFIED:20230204T183130Z
UID:5447-1675609200-1675616400@thereser.org
SUMMARY:Letters Aloud: Road To Fame
DESCRIPTION:Being famous is sometimes a burning desire from a young age. And sometimes\, it’s an accident. In either case\, fame teaches you things—about yourself\, about hard work\, about enjoyment\, about pride\, and about your impact on the world and others. From humble beginnings to adoring fans to looking back on achievements and lessons learned\, we chart the course of celebrity through the correspondence of luminaries like Stephen King\, Andy Warhol (of course!)\, Elvis Presley\, Emily Dickinson\, Bruce Lee\, Marilyn Monroe\, and Tom Hanks. Get a new perspective on fame from the famous in our most popular show! \nReal letters by real people\, read by great actors. Letters Aloud was founded in 2013 by Paul Morgan Stetler as a way to connect a live audience to famous (and infamous) historical figures through their intimate personal correspondence. Each show brings together letters from every era\, curated to explore a central theme. Sounds academic—but the way we do it\, it’s addictive. As one fan said\, “It’s like literary crack.” With live musical accompaniment and a dynamic slide show\, a Letters Aloud evening is guaranteed to inspire! \nSunday\, February 5 at 3 pm \nRuntime:\n1st act is 50 min\nIntermission is 20 min\n2nd act is 35 min \nSponsored by TriMet.
URL:https://thereser.org/event/letters-aloud-road-to-fame/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/05/Letters-Aloud-9-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230207T183000
DTEND;TZID=America/Los_Angeles:20230207T210000
DTSTAMP:20230202T222002Z
CREATED:20230112T012304Z
LAST-MODIFIED:20230202T222002Z
UID:7594-1675794600-1675803600@thereser.org
SUMMARY:PitchBlack
DESCRIPTION:Built Oregon presents PitchBlack 2023 \nElevating\, amplifying\, and supporting Black businesses \nThe PitchBlack pitch competition gives Black entrepreneurs a platform to connect with the broader startup ecosystem — while also awarding them with cash prizes to help their concepts flourish. \nThis year’s event will be held at the Patricia Reser Center for the Arts – the first time the event has been held on the west side of the metro area. \n\nWhat if the ‘Whitest City in America’ led the way in bridging the support and amplification of Black-owned businesses? What if the capital talks shift from simply being about money and moved toward the importance of social capital as well? \nThose ideas led Stephen Green to launch the first PitchBlack in Portland\, Oregon\, in 2015\, and since that time\, Portland has been home to five editions of the event. \nAnd this is only the beginning. What started in Portland has expanded to include events in Seattle\, Austin\, and Philadelphia. To date\, 100 founders have pitched their ideas\, more than 1000 people have attended the combined events\, and more than $100\,000 has gone directly to the winning companies. \nIn addition\, the Portland winners alone have gone on to raise an additional $40M in funding since 2015. \n“What started a party to celebrate some founders has grown into a beacon for how cities around the country can unearth\, connect and lift up the talent that already exists in their midst.” – Stephen Green \nAbout Pitch Black \nRuntime: 90 min
URL:https://thereser.org/event/pitch-black-pdx/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2023/01/PitchBlackpdx-PitchBlackpdx-0049.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230209T193000
DTEND;TZID=America/Los_Angeles:20230211T210000
DTSTAMP:20230201T210550Z
CREATED:20220819T001542Z
LAST-MODIFIED:20230201T210550Z
UID:6207-1675971000-1676149200@thereser.org
SUMMARY:Trinity Irish Dance Company
DESCRIPTION:White Bird returns for its second season presenting at the beautiful Patricia Reser Center for the Arts in Beaverton with Trinity Irish Dance Company. \nLast seen with White Bird over twenty years ago\, Trinity Irish Dance Company has significantly changed the scope and direction of Irish dance.  Founding Artistic Director Mark Howard “ushered in a new era for Irish step dance” (Chicago Tribune)\, opening new avenues of artistic freedom. \nWhite Bird is proud to bring this thrilling company of 16 mesmerizing dancers and four exceptional musicians to The Reser in a program that brilliantly merges classic Irish step dance with contemporary movement.  Watch as the performers execute rousingly fast\, rhythmic footwork with both hard and soft-soled shoes.  This unique blend of uncompromising power and grace sends a consistent message of female empowerment. \nWhite Bird COVID Policy Update: As of February 1\, 2023\, masks are NO LONGER REQUIRED for audiences at any White Bird performances. White Bird continues to welcome and strongly encourage patrons to wear masks\, particularly those who are immunocompromised or unvaccinated. Proof of vaccination or proof of a negative COVID-19 test is NOT REQUIRED to attend a White Bird performance at this time. \nRun time: ninety-eight minutes with an intermission.\nAct 1 will have a runtime of 36 min.\nThe intermission will be 20 min.\nAct 2 will be 42 minutes.
URL:https://thereser.org/event/trinity-irish-dance-company/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/08/2280-x-1536-slider-and-hero.-White-Bird.-TIDC-3.-Photo-by-Lois-Greenfield-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230210T183000
DTEND;TZID=America/Los_Angeles:20230210T213000
DTSTAMP:20230123T190929Z
CREATED:20221213T211411Z
LAST-MODIFIED:20230123T190929Z
UID:7416-1676053800-1676064600@thereser.org
SUMMARY:Pairings & Pages
DESCRIPTION:Pairings & Pages\nSponsored by the Library Foundation of Washington County\nFriday\, February 10\, 2023\n6:30 to 8:30 pm\nPatricia Reser Center for the Arts | The Lab\, Floor 2\n12625 SW Crescent St\, Beaverton \nThe Library Foundation invites you to join us for an entertaining evening of wine tasting and food pairings guided by Levi Seed\, Lead Sommelier for the renowned Joel Palmer House. \nFunds raised from the event will support Library Foundation grants to the Washington County Cooperative Library Services and the Washington County Law Library. \nFood pairings are catered by Artemis Foods\, and the evening includes music and a silent auction. \nTickets are available through the box office at The Reser. \nFor more information visit our website www.lfwcoregon.org
URL:https://thereser.org/event/pairings-pages/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2022/12/Library-Foundation-Hero-Image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230214T193000
DTEND;TZID=America/Los_Angeles:20230214T213000
DTSTAMP:20230123T182546Z
CREATED:20221229T020536Z
LAST-MODIFIED:20230123T182546Z
UID:7077-1676403000-1676410200@thereser.org
SUMMARY:The Neuroscience of Pleasure: How your brain responds to music\, love and chocolate
DESCRIPTION:Listening to beautiful music\, falling in love and eating really good chocolate create intense feelings of pleasure – but why? OHSU neuroscientist Larry Sherman\, Ph.D.\, joined by the Portland Chamber Orchestra and singer Naomi LaViolette\, present a fascinating multi-media discussion and concert on how the brain experiences pleasure. Diving into exciting new research – including what happens to the brain when love goes awry – and what we can learn from the monogamous prairie vole\, Dr. Sherman mixes music\, humor and neuroscience for an unforgettable\, educational evening.
URL:https://thereser.org/event/love-chocolate-and-the-brain/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2022/12/LoveChocolate_webhero.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230216T200000
DTEND;TZID=America/Los_Angeles:20230216T220000
DTSTAMP:20230110T225517Z
CREATED:20221011T212517Z
LAST-MODIFIED:20230110T225517Z
UID:6639-1676577600-1676584800@thereser.org
SUMMARY:BILL FRISELL FOUR
DESCRIPTION:Bill Frisell Four featuring Gerald Clayton\, Gregory Tardy\, Rudy Royston. \nPresented by PDX Jazz \n\n\n\n\nBill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings\, whose catalog has been cited by Downbeat as “the best recorded output of the decade”. \nTwo years after issuing his acclaimed trio album Valentine\, GRAMMY Award-winning guitarist and composer Bill Frisell returns with Four\, a stunning meditation on loss\, renewal\, and those mysterious inventions of friendship. Frisell’s third album for Blue Note Records proffers new interpretations of previously recorded originals as well as nine new tunes. The session brings together artists of independent spirits and like minds: Blue Note stablemates Gerald Clayton on piano and Johnathan Blake on drums\, and longtime collaborator Greg Tardy on saxophone\, clarinet\, and bass clarinet.  \nFor generations\, critics and peers have recognized Frisell as one of the music’s most treasured participants. Over the years\, he’s garnered praise and attention for his playing as well as the anatomy of his compositions – how he structures a form around often a simple melody or progression\, creating a gesture at once complex and elemental. Four presents this side of his artistry at its most intuitive. \nDuring the lockdown\, like so many prolific artists\, Frisell turned inward. “It was traumatic not to be with people\,” he says\, “so I picked up my guitar\, and my guitar saved me.” For those months\, he wrote stacks of melodies and compositional ideas. By the time he scheduled Four’srecording sessions\, he’d amassed piles of notebooks filled with fragmented music. Laying little more than a sketch of information before his fellow artists\, Frisell encouraged a kind of spontaneous\, cooperative orchestration.  \nWhile Frisell and Tardy have enjoyed a long association of mutual respect and friendship\, the former wondered how their musical familiarity might reactivate alongside two newer energies. Frisell met Clayton when Charles Lloyd asked the guitarist to sit in at a festival some years ago. “That was the first time I’d really played with Gerald\,” he says. “I could feel that trust and respect just instantly.” When Clayton joined Frisell’s trio as a guest during a run at the Vanguard\, their connection intensified. “He would transform things that I’ve played a thousand times\, find pathways through it that I never heard anyone do before.” Similarly\, Frisell felt an immediate kinship when he sat in on a date with Blake.  \nAspects of Four reflect Frisell’s affection for Americana\, and skilled saturation of blues. But what’s poised to give the record its staying is less tangible. “The album is capturing this first moment in time when we were\, all four\, together\, playing these songs\,” he says. “Music is incredible that way because we’ll never play these songs this way again. Once we start playing them live\, they’ll change.”
URL:https://thereser.org/event/bill-frisell-four/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/10/bill-frisell-bench-300dpi-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230217T193000
DTEND;TZID=America/Los_Angeles:20230217T210000
DTSTAMP:20230118T181127Z
CREATED:20230112T020559Z
LAST-MODIFIED:20230118T181127Z
UID:7599-1676662200-1676667600@thereser.org
SUMMARY:American Strings: An Evening with Guy Davis
DESCRIPTION:American Strings: An Evening with Guy Davis. \nHosted by Bob Santelli\, rock historian and Oregon State University’s director of popular music and performing arts\, the American Strings series brings musicians from around the country for an in-depth look at the role stringed instruments play in American music. Each event includes a conversation and live performance from the invited artists. \nSantelli will sit down with two-time\, back-to-back Grammy nominee for Best Traditional Blues\, a musician\, actor\, author\, and songwriter\, Guy Davis and talk about his career\, music\, and creative process. The interview will be followed by a live performance. \nRun time: 90 min. No intermission. \nGuy uses a blend of Roots\, Blues\, Folk\, Rock\, Rap\, Spoken Word\, and World Music to comment on\, and address the frustrations of social injustice\, touching on historical events\, and common life struggles. His background in theater is pronounced through the lyrical storytelling of songs “God’s Gonna Make Things Over” about the 1921 Tulsa Race Massacre\, “Welcome to My World”\, and “Got Your Letter In My Pocket”. His storytelling is sometimes painful\, deep\, and real\, an earthy contrast to modern-day commercial music\, meant to create thought\, underlined by gentle tones from his guitar or banjo fingerpicking. \nGuy won “Keeping The Blues Alive” Award\, and was nominated by The Blues Foundation for Best Acoustic Album of the Year\, Best Acoustic Artist of the Year\, and Best Instrumentalist. In fact\, he’s been nominated nearly two dozen times by the Blues Foundation. \nAmong hundreds of newspaper appearances\, he’s also been featured in articles or reviews by New York Times\, Village Voice\, Boston Globe\, Pulse Magazine\, Blues Magazine\, Acoustic Guitar\, Dirty Linen\, Songlines\, Blues Blast Magazine\, Living Blues\, Down At the Crossroads\, The San Francisco Chronicle\, Association For Independent Music (formerly NAIRD)\, Playboy Magazine\, National Public Radio (NPR)\, “Folk Alley”\, and Sirius. \nWhen asked about his experience as a performer\, Guy has replied\, “There is no tale so tall that I cannot tell it\, nor song so sweet that I cannot sing it.”
URL:https://thereser.org/event/an-evening-with-guy-davis/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2023/01/guydavis_webhero.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230218T130000
DTEND;TZID=America/Los_Angeles:20230218T143000
DTSTAMP:20230217T183638Z
CREATED:20230109T223158Z
LAST-MODIFIED:20230217T183638Z
UID:7557-1676725200-1676730600@thereser.org
SUMMARY:a community is a small town - Artist Talk
DESCRIPTION:Discovering personal narratives and artistic styles takes years of practice and dedication. Deciding what colors to select\, how to organize compositions\, and intentionally making marks to convey one’s concepts is all in a day’s work for any artist. Featuring a few of Oregon’s neuro-diverse artists\, Joni Smith of North Pole\, Mohamed Omar from Elbow Room\, and Perry Johnson from OSLP will take guests on a delightful journey into their creative practices. Living Studios director\, Bruce Burris will present a short history of supportive programs and an introduction to the creative works on display. Enjoying images\, stories\, and the fascination of their compositions\, you will be sure to leave with a smile and a new appreciation for their creativity.   \nSeating is limited. Please reserve your ticket below.
URL:https://thereser.org/event/a-community-is-a-small-town-artist-talk/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2023/01/grasslands_webhero.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230218T200000
DTEND;TZID=America/Los_Angeles:20230218T210000
DTSTAMP:20230216T220924Z
CREATED:20221117T045311Z
LAST-MODIFIED:20230216T220924Z
UID:7198-1676750400-1676754000@thereser.org
SUMMARY:An Evening with MEKLIT
DESCRIPTION:An Evening with MEKLIT \nFeaturing:\nColin Douglas drumkit\, Sam Bevan bass\, Kibrom Birhane  keys\, Howard Wiley tenor saxophone \nMeklit is an Ethio-American vocalist\, composer\, and cultural activist\, making music that sways between cultures and continents. She is known for her electric stage presence and innovative\, deeply personal Ethio-Jazz songs. \n“There is a raw beauty about Ethiopian vocalist and songwriter Meklit. Her voracious musical appetite is always evident\, and she manages to honor her heritage while remaining fiercely original.” – JAZZ TIMES \nHer performances have taken her around the world\, from Addis Ababa – where she is a full-blown star – to San Francisco\, NYC\, Chicago\, Nairobi\, Cairo\, Montreal\, London\, Zurich\, Rome\, Helsinki\, and many more. Meklit’s latest album “When the People Move\, the Music Moves Too” was named amongst the best records of the year by Bandcamp and The Sunday Times UK\, climbing to the top of the iTunes\, NACC\, and European World Charts. Meklit is Chief of Program at Yerba Buena Center for the Arts in San Francisco. She is a National Geographic Explorer\, a TED Senior Fellow\, and a former Artist-in-Residence at Harvard University. \n“…if you have any doubts that the musical styles of East Africa and the Bay Area can be melded with equal parts grit and grace\, she’ll knock them right out of you with vocals\, horns\, and percussion — such exhilarating\, heartbeat-propelling percussion — by the time the first chorus comes around.” – NPR \nMeklit has collaborated with the likes of Kronos Quartet\, Andrew Bird\, Preservation Hall Jazz Band\, and musical legend Pee Wee Ellis. Meklit is co-founder\, co-producer\, and host of Movement\, a new podcast series and live show telling stories of global migration through music. \n“…a rare artist…The album comprises knotted\, earnest ruminations on finding one’s self\, finding one’s loves\, and anthems for the very act of making music… creating something compelling and wholly her own” – AFROPOP \nRuntime: 90 min. No intermission
URL:https://thereser.org/event/an-evening-with-meklit/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/11/Meklit-springtime-image-.Photo-by-Ibra-Acke-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230219T180000
DTEND;TZID=America/Los_Angeles:20230219T203000
DTSTAMP:20230216T221513Z
CREATED:20221214T005432Z
LAST-MODIFIED:20230216T221513Z
UID:7431-1676829600-1676838600@thereser.org
SUMMARY:Fall In Love Again with David Pomeranz and Philip Mahoney
DESCRIPTION:We are looking forward to a full night of love songs and inspiration from the multi-platinum\, award-winning recording artist\, songwriter\, and performer\, David Pomeranz. He is coming for a post-valentines concert to serenade you this coming February 19\, 2023 (Sunday) at The Reser. \nHis music has earned him a total of 22 platinum and 18 gold albums\, selling over 40 million records internationally\, like “The Old Songs”\, “King and Queen of Hearts”\, “Got to Believe in Magic”\, “Born for You”\, “On This Day” and more. \nJoin us and let’s rekindle the spirit of love and being in love again. He will be joined by Fil-Am Music Artist & Saxophonist\, Philip Mahoney. He began his career back in the Philippines with Viva Records and made his debut appearance with Sarah Geronimo on tour and in their single “Into the Sun” which aired on MTV and MYX. If you like RnB\, Love tunes and Smooth Jazz\, join us for an evening of romance! They will be joined by outstanding Inspirational pianist\, Joel Sebag. \nIncluding guest singer Louie Roa\, Oregon’s Fil-Am concert King. \nwww.davidpomeranz.com\n\nwww.philipmahoneymusic.com\n  \nRuntime:\nFirst set: 60 min\nIntermission: 20 min\nSecond set: 70 min \n 
URL:https://thereser.org/event/fall-in-love-again-with-david-pomeranz-and-philip-mahoney/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/12/DavidPomeranz_CH85531.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230224T193000
DTEND;TZID=America/Los_Angeles:20230226T210000
DTSTAMP:20230224T233513Z
CREATED:20221117T051913Z
LAST-MODIFIED:20230224T233513Z
UID:7092-1677267000-1677445200@thereser.org
SUMMARY:‘ILLUM’ — WORLD PREMIERE
DESCRIPTION:This weekend’s performances of ‘Illum’ will go on as scheduled.  \nPlease visit push/FOLD‘s website for more details: https://www.pushfold.org/events/2023/illum-world-premiere \nFor any patrons who have purchased an in-person ticket and cannot attend due to inclement weather\, push/FOLD is happy to share with you the livestream link to your performance evening. \nIf you would like a livestream ticket exchange\, please email us no later than 2-hours prior to your show start for a livestream link and passcode: audience@pushfold.org \nIf you would like a refund in-lieu of the livestream or reschedule to a different night\, please contact The Reser’s box office at 971-501-7722. \n— \nPortland’s push/FOLD presents ‘Illum’ / A full evening-length concert of athletic contemporary dance and a world-premiere from visionary composer and choreographer Samuel Hobbs. Filled with ethereal moodscapes\, high-impact and sweeping movement\, floorwork\, and dynamic partnering\, this production features a selection from push/FOLD’s body of work and the world premiere of the show-titled piece\, ‘Illum’. \nCelebrated for their powerful\, athletic style that reveals relatable\, abstract storylines\, push/FOLD creates dance “filled with vulnerability and humanity… full of nuances and beauty.” (Oregon ArtsWatch) Contributing not just choreography but also original music scores\, Artistic Director Samuel Hobbs finds\, “a sweet spot between the musical composition and the movement concepts\,” (Oregon ArtsWatch) resulting in a fully cohesive audience experience. This is a rare opportunity to take in the breadth and depth and push/FOLD’s impressive and moving work! \nAbout push/FOLD \nBased in Portland\, Oregon\, push/FOLD is the vision of the award-winning\, multidisciplinary artist and composer-choreographer Samuel Hobbs. Having developed a reputation as a generous\, galvanizing force for other dance artists and projects by way of its community-building Union PDX Festival\, push/FOLD shines in its own right through their signature choreographic approach\, focusing on athleticism and power by way of abstract storylines that resonate with audiences. push/FOLD’s movement technique\, Visceral Movement Theory™\, is the backbone of the company’s unique approach\, incorporating elements of visceral biomechanics and Osteopathic therapy fused with athletics and dance training in Street\, West African\, Ballet\, and Contemporary Dance and Partnering. \nPackaging education with high-caliber professional dance performances\, push/FOLD performs and teaches nationally and internationally\, setting work on professional artists and companies\, and providing workshops to athletes\, training programs\, corporations\, dance schools\, and universities. As a community-oriented organization\, push/FOLD’s programs include masterclasses\, professional development workshops\, student outreach\, film and evening-length productions\, artist talks\, commissions\, and the Union PDX – Festival of Contemporary Dance. \nArtistic Director Samuel Hobbs’ commissioned world premiere with Oregon Ballet Theatre will debut at the Newmark Theater in June 2023. \nFriday\, February 24\, 7:30 PM\nSaturday\, February 25\, 7:30 PM\nSunday\, February 26\, 4 PM \nwww.pushfold.org \nClick here to purchase LIVE STREAM tickets! \nContact the box office for $5 Arts-for-All tickets: (971) 501-7722 \nRuntime:\nFirst half: 38 min\nIntermission: 20 min\nSecond half: 45 min \nThere will be an artist talk at the end of each performance.
URL:https://thereser.org/event/illum-world-premiere/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/11/push-FOLD-Illum-Event-Hero-2280x1536-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230303T180000
DTEND;TZID=America/Los_Angeles:20230303T210000
DTSTAMP:20230114T194411Z
CREATED:20230109T223616Z
LAST-MODIFIED:20230114T194411Z
UID:7565-1677866400-1677877200@thereser.org
SUMMARY:a community is a small town - Closing Reception & First Friday
DESCRIPTION:We heard you loud and clear – you would love to see and buy more art! During our First Friday gallery engagements\, The Reser provides opportunities for local artists to sell small works and wares. Artists from a community is a small town come together to share their creativity and artistic styles. Come celebrate these creative talents and find the perfect work of art for your home or office. Browse the exhibition before it closes\, chat with the participating artists\, and enjoy small snacks and great company!
URL:https://thereser.org/event/a-community-is-a-small-town-closing-reception-first-friday/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2023/01/bike_webhero.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230304T110000
DTEND;TZID=America/Los_Angeles:20230304T150000
DTSTAMP:20221118T175457Z
CREATED:20220531T171608Z
LAST-MODIFIED:20221118T175457Z
UID:5347-1677927600-1677942000@thereser.org
SUMMARY:Cenicienta: A Bilingual Cinderella Story
DESCRIPTION:Ten-year-old Belinda loves to tell stories\, but when she’s in the basement preparing for a party upstairs\, she’ll have to get creative. Using everyday objects like teapots and napkins\, Belinda recreates the classic tale of Cinderella. Glass Half Full Theatre from Austin\, Texas\, presents its award-winning “story within a story” using puppetry\, Spanish\, and English. As Belinda confronts her stepmother and stepsisters\, she’ll learn to embrace her love of poetry and stand up for herself. This captivating Cinderella for all ages tackles cultural heritage\, family\, and the power of language. Most enjoyed by ages 5+. \nTwo performances!\nSaturday\, March 4\, 11 am\nSaturday\, March 4\, 2 pm \nSponsored by the Hillsboro Hops/Los Soñadores de Hillsboro.
URL:https://thereser.org/event/cenicienta-a-bilingual-cinderella-story/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/05/Copy-of-madi-and-stepsisters-on-feet-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230305T160000
DTEND;TZID=America/Los_Angeles:20230305T180000
DTSTAMP:20230303T000943Z
CREATED:20220831T040635Z
LAST-MODIFIED:20230303T000943Z
UID:6260-1678032000-1678039200@thereser.org
SUMMARY:Dreamers’ Circus
DESCRIPTION:Dreamers’ Circus is in the forefront of the Nordic folk and world music scene. Frequent collaborators with the Danish String Quartet and the Copenhagen Philharmonic\, Dreamers’ Circus is composed of Nikolaj Busk on piano and accordion\, Ale Carr on Nordic cittern\, and Rune Tonsgaard Sørensen (also of the Danish String Quartet) on violin. \n“Folk-rooted but genre-defying in music that shifted through the playful and the sublime.” The Scotsman \nPROGRAM \nThis innovative and creative program will draw inspiration from the folk music of Denmark and Sweden\, as well as Iceland and the far reaches of the Faroe Islands and Greenland. \nRun times:\nFirst set 55 min\nIntermission 15 min\nSecond set 50 min
URL:https://thereser.org/event/dreamers-circus/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/08/Press_Photo7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230308T190000
DTEND;TZID=America/Los_Angeles:20230308T200000
DTSTAMP:20230210T193515Z
CREATED:20230207T213843Z
LAST-MODIFIED:20230210T193515Z
UID:7752-1678302000-1678305600@thereser.org
SUMMARY:Sounding the Night Sky: Portland State Wind Symphony
DESCRIPTION:Sounding the Night Sky – a multimedia concert with the PSU Wind Symphony\, School of Film\, and Theater Arts \nExperience this bold\, collaborative multimedia concert with the PSU School of Film and Theater Arts. The Wind Symphony will perform a diverse repertoire inspired by the night sky and celestial phenomena. The beautiful film footage and dynamic lighting that accompanies the music will captivate your imagination. The show opens with a guest performance by the accomplished Sherwood High School Wind Ensemble. Join us on this otherwordly adventure!
URL:https://thereser.org/event/sounding-the-night-sky-portland-state-wind-symphony/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2023/02/Sounding-the-Night-Sky-Slider-Hero-Image-2280-x-1536.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230311T193000
DTEND;TZID=America/Los_Angeles:20230311T213000
DTSTAMP:20220921T230833Z
CREATED:20220531T184958Z
LAST-MODIFIED:20220921T230833Z
UID:5371-1678563000-1678570200@thereser.org
SUMMARY:GINA CHAVEZ
DESCRIPTION:Latin Grammy® nominee Gina Chavez blends the sounds of the Americas with tension and grace. A 13-time Austin Music Award winner and Austin Musician of the Year\, she and her band can be seen on PBS in “Gina Chavez: Live from the Kate.” She has completed a 12-country tour as a cultural ambassador with the U.S. State Department\, uniting audiences from Texas to Uzbekistan and Venezuela to Saudi Arabia. Her bilingual album\, Up. Rooted\, topped the Amazon and Latin iTunes charts following a feature on NPR’s All Things Considered and her Tiny Desk concert has more than 1.3 million views. Gina’s Spanish-language anthem\, “Siete-D\,” won the grand prize in the John Lennon International Songwriting Contest. \n“Steeped in slow-burn soul and uptempo R&B\,” Gina’s newest EP\, Lightbeam already has NPR under the spell and of a new sound that expands upon her passionate collection of bilingual songs that traverse cumbia\, indie-folk\, blues\, and Latin pop. \n“Chavez’s voice is perfectly suited to reflect all of those experiences and to take us to places where we dare to let our emotional guards down.” (NPR/Felix Contreras) \n“Most striking is Chavez’s ease as she moves between social and love songs\, between North American and Latin genres\, and even between languages: When she passes mid-song from English to Spanish and back\, it’s the most natural thing in the world.“ -The Boston Globe \nSponsored by The Reser Family Foundation.
URL:https://thereser.org/event/gina-chavez/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/05/GChavez_ReneeDominguez_01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230313T180000
DTEND;TZID=America/Los_Angeles:20230313T200000
DTSTAMP:20230313T153654Z
CREATED:20230202T205141Z
LAST-MODIFIED:20230313T153654Z
UID:7721-1678730400-1678737600@thereser.org
SUMMARY:2023 State of the City
DESCRIPTION:Mayor Lacey Beaty will host the 2023 State of the City starting at 6:00 p.m. on March 13 at the Patricia Reser Center for the Arts here in Beaverton. \nFrom 6:00 p.m. to 7:00 p.m. attendees are invited to enjoy networking with leaders in the community. \nJoin Mayor Beaty at 7 p.m. for the State of the City presentation in the Mainstage Theater. Attendees will have a chance to learn more about the successes that shaped the city in 2022 and the community events and programs they can look forward to in 2023 along with a light-hearted and informative video that will be shown at the event to highlight the city’s completed\, ongoing and future projects. \nTopics to be covered at the event include:\n• Transportation Safety & Downtown Loop Project\n• Arts & Innovation\n• Infrastructure & Economic Development\n• Homelessness & Affordable Housing \nDessert bites\, coffee\, tea\, and soda will be provided by the City of Beaverton and the Beaverton Area Chamber of Commerce. \nWine and Beer will also be available for purchase. \nThe in-person evening program is open to the community with free tickets available in advance on a first-come\, first-served basis.
URL:https://thereser.org/event/2023-state-of-the-city/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2023/02/2023BeavertonSOTC_TheReser_SliderHero_2280x153653.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230317T193000
DTEND;TZID=America/Los_Angeles:20230318T210000
DTSTAMP:20230116T235426Z
CREATED:20220906T182923Z
LAST-MODIFIED:20230116T235426Z
UID:6335-1679081400-1679173200@thereser.org
SUMMARY:Common Ground
DESCRIPTION:NW Dance Project presents Common Ground / Contemporary Dance / Program includes Yin Yue’s Common Ground\, a World Premiere from Artistic Director Sarah Slipper\, and a World Premiere from acclaimed EU choreographer Caroline Finn. \nNW Dance Project\, which The Oregonian dubbed “an essential part of the Portland arts scene” makes its Reser debut with a trio of works from three of the most accomplished and promising female choreographers in contemporary dance. Be the first to experience a world premiere work from NW Dance Project’s own founding Artistic Director\, Sarah Slipper\, as well as a world premiere work from Caroline Finn\, former Artistic Director of National Dance Company Wales making her U.S. debut\, whose work is sharp\, poignant\, and humorous. Also on the program is Common Ground from Chinese choreographer Yin Yue\, which is an energetic and mesmerizing blend of Chinese traditional folk dance and contemporary movement (known as FoCo). \n“a company of slick\, skilled dancers” — The New Yorker \n“an essential part of the city’s arts scene” — The Oregonian \n“some of the best dancers you will ever see” — Calgary Herald \n“there’s no mistaking the distinct\, delightful genius of NW Dance Project’s dancers and captivating choreography” — MassLive \n“one of the most dynamic dance troupes in the country” — Oregon Public Broadcasting \n“one of the hottest dance companies in America” — WE Vancouver \nPerformances:\nFriday\, March 17\, 7:30 PM\nSaturday\, March 18\, 7:30 PM \n 
URL:https://thereser.org/event/common-ground/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/09/Reser-Hero-B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230322T183000
DTEND;TZID=America/Los_Angeles:20230322T200000
DTSTAMP:20230316T194323Z
CREATED:20230306T235858Z
LAST-MODIFIED:20230316T194323Z
UID:8071-1679509800-1679515200@thereser.org
SUMMARY:Artist Talk with Alicia Decker & Elissa Breitbard of Lu Kynn
DESCRIPTION:INSIGHTS PROGRAMMING: \nArtist Talk with Alicia Decker & Elissa Breitbard of Lu Kynn\nWednesday\, March 22 | 6:30 PM – 8 PM \nUsing communally sourced “end use” fashion and fabric remnants\, artists duo Alicia Decker & Elissa Brietbard of Lu Kynn share their process of intentional gathering\, sorting\, and composing\, well – scraps. Demonstrating the strength of community\, and that we all have ties to cloth\, the new compositions present abstracted visual stories of sustainability\, art\, and our local lands. Join us for a lively discussion of art\, place\, and community.
URL:https://thereser.org/event/artist-talk-with-alicia-decker-elissa-breitbard-of-lukynn/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2023/03/reforms1_2280x1536.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230323T180000
DTEND;TZID=America/Los_Angeles:20230323T200000
DTSTAMP:20230314T194842Z
CREATED:20221014T222816Z
LAST-MODIFIED:20230314T194842Z
UID:6789-1679594400-1679601600@thereser.org
SUMMARY:Daria Rabotkina
DESCRIPTION:“A pianist full of fire and warmth” (Plain-Dealer)\, Daria Rabotkina takes to The Reser stage for a picturesque program inspired by art and literature. The central movement of Granados’s Goyescas is a melancholy nocturne that displays the composer’s ability to paint cinematic scenes through sound\, while Prokofiev’s immortal Romeo and Juliet examines the beauty and fragility of life and love with some of the piano repertoire’s most heart-melting melodies. And in a work she’s championed in concert halls across the country\, Rabotkina closes the program with Paul Harvey Aurandt’s Sonata in B-flat Minor\, which pays homage to the emotional sweep of Schubert and Rachmaninoff. \nENRIQUE GRANADOS\nQuejas\, o La Maja y el ruiseñor (The Maiden and the Nightingale) from Goyescas\, op. 11 \nSERGEI PROKOFIEV\nTen Pieces from Romeo and Juliet \nPAUL HARVEY AURANDT\nSonata in B-flat Minor
URL:https://thereser.org/event/daria-rabotkina/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/jpeg:https://thereser.org/wp-content/uploads/2022/10/ACTION_HERO_Daria-Rabotkina.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230325T200000
DTEND;TZID=America/Los_Angeles:20230326T213000
DTSTAMP:20230322T210416Z
CREATED:20220910T221400Z
LAST-MODIFIED:20230322T210416Z
UID:6402-1679774400-1679866200@thereser.org
SUMMARY:The Body Electric
DESCRIPTION:We\, the Portland Gay Men’s Chorus\, loudly proclaim that all people have the right to lead lives of freedom\, peace\, and joy. In these tumultuous times\, The Body Electric honors our communities’ never-ending crusade against oppression\, the pursuit of a more perfect union\, and the inalienable power found within each of us. Join us as we raise our voices in celebration of all that we are and all that we hope to be. \nPerformances:\nSaturday\, March 25\, 8:00 pm\nSunday\, March 26\, 3:00 pm \nBE ADVISED: Laser and/or strobe lights are used throughout this performance. Audience members with photosensitivity or a history of seizures/epilepsy may consider caution. \nThe Portland Gay Men’s Chorus is committed to ensuring the safety of our chorus family including our audience\, members\, staff and volunteers. \nThough masks are encouraged\, this performance does not require a mask to be worn while inside the theater. We continue to welcome and strongly encourage patrons to wear masks\, particularly those who are immunocompromised or unvaccinated. Proof of vaccination or a negative COVID-19 test will no longer be required for entry.
URL:https://thereser.org/event/the-body-electric/
LOCATION:The Patricia Reser Center for the Arts\, 12625 SW Crescent St\, Beaverton\, OR\, 97005\, United States
ATTACH;FMTTYPE=image/png:https://thereser.org/wp-content/uploads/2022/09/TBE-17.png
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END:VCALENDAR