This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home. When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.
This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brush strokes, salmon stinta, and above all healing.
Now in its seventh year, PRAx and the College of Liberal Arts present American Strings, a series of conversations and intimate performances with iconic musicians from the Americas whose perspectives shape our world. Prior guests have included Keb’ Mo’, Rosanne Cash, esperanza spalding, and many more.
Hosted by ethnomusicologist and public historian Kelly Bosworth, American Strings performances offer audiences the chance to hear artists play and reflect on their practice. In conversation, artists discuss process, biography, and the themes of their work. Conversation is followed by musical performance. Guests typically perform unaccompanied, but in select cases may appear with their ensembles.
Dr. Kelly Bosworth is Mary Jones and Thomas Hart Horning Assistant Professor of Public History and Ethnomusicology at Oregon State University, where she teaches courses such as “Social Change and American Popular Music” and “Musical Worlds of the Pacific Northwest.”She works at the intersection of sound, place, and belonging. Her research on music/sound/noisein U.S. history delves into the diverse archives of musicmaking, reconstructing often-silenced histories through the songs and sounds associated with place. Her PhD dissertation (Indiana University, 2024) explored “The Music of Miracle City: Vanport, Oregon and the Sonic Imaginaries of Multiracial Democracy.”